{"id":1482,"date":"2019-02-25T05:00:35","date_gmt":"2019-02-25T05:00:35","guid":{"rendered":"http:\/\/workshop3d.com\/?p=1482"},"modified":"2019-06-26T07:35:58","modified_gmt":"2019-06-26T07:35:58","slug":"a-r-in-d-c-at-the-smithsonian","status":"publish","type":"post","link":"https:\/\/workshop3d.com\/index.php\/2019\/02\/25\/a-r-in-d-c-at-the-smithsonian\/","title":{"rendered":"A.R. in D.C. &#8211; at the Smithsonian"},"content":{"rendered":"\n<div id=\"blogdate\">February 24, 2019 | Ray C. Freeman III<\/div>\n<p>The Smithsonian&#8217;s <b>Skin &#038; Bones<\/b> app was one of the first examples I encountered when researching the use of Augmented Reality in Museums over a year ago, and it looked promising. So, I was excited to get a chance to try it out in the context of the actual <b>Smithsonian National Museum of <!--more-->Natural History<\/b> on a recent trip to the nation&#8217;s capitol.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/IMG_0314.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\"  src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/IMG_0314.png?resize=730%2C411\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"411\"><\/a><\/p>\n<div id=\"caption\">The main interface for an individual exhibit item, the Swordfish, in the Smithsonian&#8217;s <b>Skin &#038; Bones<\/b> app<\/div>\n<h3>What Went Right<\/h3>\n<p>Let&#8217;s start with what I liked &#8211; and there&#8217;s a lot to like here. This is not just a single-function A.R. app. It features extended information about the subject of the exhibition, including a section called <b>Animal Life<\/b>, where the user can watch a video about the specific species in question, another entitled <b>Meet the Scientist<\/b> where you get to meet an expert on the subject of the exhibit, and other options that vary somewhat from exhibit to exhibit, including games and other activities.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/videos-1-1024x284.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/videos-1-1024x284.png?resize=730%2C205\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"205\"\/><\/a><\/p>\n<div id=\"caption\">Additional media includes videos related to each of the individual artifacts<\/div>\n<p>This accomplishes two goals, in my opinion. It makes the app useful to users who aren&#8217;t actually at the museum, and for those who are, it creates a context using media that the museum just doesn&#8217;t have to space to include.<\/p>\n<p>While some of the augmentations are simple 3D models of the actual animal overlaid onto the skeleton on display, which also serves as the target, others include animations, such as a woodpecker pecking, a rattlesnake jaw opening really, really, wide, and a bat crawling on all four arms and legs. These add a lot of dynamics to an otherwise static display.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/animations-1-1024x284.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/animations-1-1024x284.png?resize=730%2C205\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"205\"\/><\/a><\/p>\n<div id=\"caption\">Augmented content includes an animated pecking woodpecker (left) and a bat that crawls on all fours (right). You can see the bat as it crawls almost out of frame on the left of the image.<\/div>\n<p>Instructions are provided for properly viewing each augmentation, and three <b>About<\/b> screens are included, providing access to the history of <b>Bone Hall<\/b> and the exhibit, information about the app itself, and credits, including source credits for the 3D models, animations, videos, and other media bundled in the app. Finally, the ability to link to social media puts the finishing touch on what comes across as a robust experience overall.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/about-1-1024x284.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/about-1-1024x284.png?resize=730%2C205\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"205\"\/><\/a><\/p>\n<div id=\"caption\">Artifact-specific instruction screen (left) and typical background information screen (right)<\/div>\n<h3>What Went Wrong<\/h3>\n<p>Unfortunately, the app features only thirteen items out the estimated <b>145 million<\/b> artifacts in the museum&#8217;s collection, a much smaller but still impressive subset of which are actually on display, and of these, only <b>nine<\/b> were represented in Augmented Reality. This light coverage makes this feel like an experiment, and leaves one wishing for more.<\/p>\n<p>However, the app was last updated two years ago, and it appears that the experiment has been abandoned, to some extent. There are several technical issues that could be improved with an update. Some links to the <b>Encyclopedia of Life<\/b>, an excellent reference, are broken, and the targeting seems to be based on photographs of the exhibits, not 3D scans of the skeletons. Therefore, the 3D models looks best when viewed perpendicular to and at eye level with each skeleton. See the mandril at the top of this page, or the swordfish below. The largest skeleton supported by the app would not trigger its augmentation at all, probably because the target photo was shot perpendicular to the skeleton, which is mounted high overhead, and you can&#8217;t get your camera that high (it works fine on the images that you can print out at home).<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/IMG_0230.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/IMG_0230.png?resize=730%2C411\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"411\" \/><\/a><\/p>\n<div id=\"caption\">The 3D fish doesn&#8217;t occupy the same physical space as the skeleton, due to targeting errors introduced by 2D targeting.<\/div>\n<p>However, there is a bigger problem here. In order to get to the Augmented Reality content, one must first select the artifact from either the list, which is presented in the form of a scrolling grid that fills several screens, or from the map, which fits on one screen. Of the two, the map is the better option.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/menus-1-1024x284.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/workshop3d.com\/wp-content\/uploads\/2019\/02\/menus-1-1024x284.png?resize=730%2C205\" alt=\"\" class=\"alignnone size-full wp-image-1387\" width=\"730\" height=\"205\"\/><\/a><\/p>\n<div id=\"caption\">Selection from the list (grid) on the left, and selection from the map on the right<\/div>\n<p>This is where the interface starts to become cumbersome, and coordination with the physical exhibit falters. For starters, some (but not all) of the physical exhibits display the icon of the app overlaid with a number, which is coordinated with the map, but not with the list, which does not have numbers. Since the augmented content is available only after you have selected one of the artifacts from either the list or the map, and not until you select one of the icons from the screen that follows, you must back out of the AR camera to the artifact screen, and then back to the list or map. This means that there are several steps involved in moving from one to the next, which get in the way of enjoying the museum experience.<\/p> \n<p>This organization of the content probably works fine for users at home, but for the museum-goer, there could have been a much better option which might have given the app more traction and kept it alive &#8211; if not expanding throughout the museum.<\/p>\n<h3>A Missed Opportunity<\/h3>\n<p>If <b>in addition<\/b> to the map and the list, the A.R. targets were used as a menu system, and all thirteen artifacts used as targets, a museum visitor could simply scan those artifacts marked with an icon with the A.R. camera to bring up the screen of options for that artifact. From there, videos, activities, and other information specifically related to the individual object could be accessed from the tool bar on the A.R. screen, leaving the camera as the default view. This would streamline on-site navigation and keep the visitor&#8217;s eyes and camera on the displays, not the menus, lists, and maps, as the user would be free to move from one artifact to the next by simply scanning it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>February 24, 2019 | Ray C. Freeman III The Smithsonian&#8217;s Skin &#038; Bones app was one of the first examples I encountered when researching the use of Augmented Reality in Museums over a year ago, and it looked promising. So, I was excited to get a chance to try it out in the context of<\/p>\n<div><a class=\"btn-filled btn\" href=\"https:\/\/workshop3d.com\/index.php\/2019\/02\/25\/a-r-in-d-c-at-the-smithsonian\/\" title=\"A.R. in D.C. &#8211; at the Smithsonian\">Read More<\/a><\/div>\n","protected":false},"author":2,"featured_media":1613,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[26],"tags":[22,25,24],"class_list":["post-1482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-augmented-reality","tag-natural-history","tag-smithsonian"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A.R. in D.C. - at the Smithsonian | WORKSHOP 3D<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/workshop3d.com\/index.php\/2019\/02\/25\/a-r-in-d-c-at-the-smithsonian\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A.R. in D.C. - at the Smithsonian | WORKSHOP 3D\" \/>\n<meta property=\"og:description\" content=\"February 24, 2019 | Ray C. Freeman III The Smithsonian&#8217;s Skin &#038; Bones app was one of the first examples I encountered when researching the use of Augmented Reality in Museums over a year ago, and it looked promising. So, I was excited to get a chance to try it out in the context ofRead More\" \/>\n<meta property=\"og:url\" content=\"https:\/\/workshop3d.com\/index.php\/2019\/02\/25\/a-r-in-d-c-at-the-smithsonian\/\" \/>\n<meta property=\"og:site_name\" content=\"WORKSHOP 3D\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/workshop3dllc\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-25T05:00:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-26T07:35:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/workshop3d.com\/wp-content\/uploads\/2019\/02\/smithsonian.png\" \/>\n\t<meta property=\"og:image:width\" content=\"750\" \/>\n\t<meta property=\"og:image:height\" content=\"350\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Ray C. 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